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Steaming over the transparent and intensely blue sea, we presently perceived an opaquer streak of sandy matter, getting denser, and becoming at last liquid, extremely liquid, yellow mudthe waters of the Ganges, long before land was in sight. Between the low banks, with their inconspicuous vegetation, a desolate shore, we could have fancied we were still at sea when we had already reached the mouth of the sacred stream. Some Hindoos on board drew up the water in pails to wash their hands and face, fixing their eyes in adoration on the thick sandy fluid. Enormous steamships crossed our bows, and in the distance, like a flock of Ibis, skimmed a whole flotilla of boats with broad red sails, through which the low sun was shining. The banks closed in, the landscape grew more definitetall palm trees, plots of garden ground, factory chimneys, a high tower. On the water was an inextricable confusion of canoes and row-boats flitting among the steamships and sailing barks moored all along the town that stretched away out of sight.In order that I might be far from the noise of the street the merchant had the objects I wished to see brought to me in a little room over the shop. Everything was spread before me on a white sheet, in the middle of which I sat. Refreshments were[Pg 227] brought, fruits and sweetmeats, while a coolie waved a large fan over my heada huge palm-leaf stitched with bright-hued silks.

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TWO:After him came another little Hindoo, dragging a mongoose, very like a large weasel with a fox's tail. He took a snake out of a bag, and a battle began between the two brutes, each biting with all its might; the sharp teeth of the mongoose tried to seize the snake's head, and the reptile curled round the mongoose's body to bite under the fur. At last the mongoose crushed the serpent's head with a fierce nip, and instantly a hawk flew down from a tree and snatched away the victim.

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THREE:
FORE:In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation.As soon as the last customer's beard was trimmed, the barber took down the cage and carried the bird to another spot whence we could hear its scream.

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FORE:Bombay, towering above the sea in a golden glorythe tall towers and minarets standing out in sharp outline against the sky, splendid in colour and glow. Far away Malabar Hill and a white speckthe Towers of Silence; Elephanta, like a transparent gem, reflected in the aqua-marine-coloured water.

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FORE:The long table was filled with officials and their wives, as happy as childrenpulling crackers at dessert, putting on paper caps, singing the latest music-hall nonsense; while outside, jackals whined, suddenly coming so close that they drowned the voices and the accompaniment on the piano.In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.

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FORE:At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architravesall part of the solid rockthere is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing.

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FORE:

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THREE:"And how many die every day?"Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light. FORE:"A doctor? I cannot say," replied Abibulla, "but the sahib knows many things." The woman's eyes entreated me. Would I not come? it would comfort the sick man, and help him, perhaps, to die easily if the gods would not spare him.When we stopped to change horses, two or three mud-huts under the shade of a few palm trees would emit an escort of little native boys, who followed the fresh team, staring at the carriage and the "Inglis Sahib" with a gaze of rapturous stupefaction.
THREE:Music attracted us to where the cross-roads met, darboukhas struck with rapid fingers and a bagpipe droning out a lively tune. The musicians sat among stones and bricks, tapping in quick time on their ass's-skin drums, beating a measure for some masons to work to. Women carried the bricks men spread the mortar; they all sang and worked with almost dancing movements in time with the music, as if they were at play.
FORE: Lead Designer

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FORE:A distant noise of tom-tomsbig drums thumping out minims in the bass, small ones rattling out semiquavers in very short, sharp notes; and to this accompaniment came the sharp trill of a metal flute. The music came nearer at a brisk pace, heralded by two tall baggage camels, a rare sight in Benares, where the streets are so narrow and straight, and only foot passengers are to be seen. Then followed saddle-horses, led by hand, and a large number of men on foot, and after an interval there appeared a band, atrociously out of tune, immediately in front of a palankin hung with a shawl embroidered all over in palms of different shades of gold and beads. In this sat a little bridegroom of eight, dressed in pale yellow satin, a wreath of marigolds round his neck, and above his turban a cap made of jasmine, the ends hanging all round his heada little bridegroom, eight years old, very solemn, sitting cross-legged with a huge bouquet in his hand, and facing him his two little brothers in white silk and necklaces of jasmine. Serior Analyst

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FORE:There is a very small and simple niche against the wall of a larger building, and in this, without even a railing to protect it, stands the image of a goddess robed in silk embroidered in gold; and in[Pg 78] such another little recess, not far away, is the sister of this divinity, also dressed in magnificent stuffs, renewed by the faithful at each high festival. Lead Developer

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199 ONE:Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins.
890 ONE:Outside Bombay, at the end of an avenue of tamarind trees, between hedges starred with lilac and pink, we came to Pinjerapoor, the hospital for animals. Here, in a sanded garden dotted with shrubs and flowers, stand sheds in which sick cows, horses and buffaloes are treated and cared for.[Pg 26] In another part, in a little building divided into compartments by wire bars, poor crippled dogs whined to me as I passed to take them away. Hens wandered about on wooden legs; and an ancient parrot, in the greatest excitement, yelled with all his might; he was undergoing treatment to make his lost feathers grow again, his hideous little black body being quite naked, with its large head and beak. In an open box, overhung with flowering jasmine, an Arab horse was suspended to the beams of the roof; two keepers by his side waved long white horsehair fans to keep away the flies. A perfect crowd of servants is employed in the care of the animals, and the litter is sweet and clean.
THREE:
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The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.As we returned past a villagea hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinksa perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.
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